supported by 24 fans who also own “Ladyland Blues INSTRU”
The third Sanctuary album is also the best of the trilogy. This one dares even more to expand the Oldfieldian style in new and exciting directions. It may be sacrilege to suggest it, but if this *were* a genuine Oldfield album, many might say it was one of his best, too. It's true that Rob Reed is standing on the shoulders of a giant, but he is a giant talent in his own right.
Often the music brings tears to the eyes, as if it were the soundtrack to the climax of a hard-won cinematic story. nickgreen90125
supported by 21 fans who also own “Ladyland Blues INSTRU”
I always loved a lot of Ennio Morricone's work from the Clint Eastwood westerns onwards and Chi Mai is just magical. I thin I prefer the original orchestral version but 2020 Ditty is brilliant too. Russell Whyman
supported by 19 fans who also own “Ladyland Blues INSTRU”
An amazing reinterpretations of old Genesis classics. Even "Invisible touch", in my opinion one of the worst songs by Genesis, in this album is a little gem. You can almost imagine Steve Hackett on classical guitar. mario1984