These are the last remaining stock of Magenta's debut album Revolutions.
They have been examined and repackaged in plastic sleeves to ensure they were still in excellent condition and also to cut down on shipping costs as the jewel case version fell into a higher postage threshold.
There are no immediate plans for getting this re-pressed so this might be the last chance to purchase this classic album.
Includes unlimited streaming of Revolutions
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
supported by 84 fans who also own “The White Witch: iii) The Plague”
Absolutely hooked on this album from first listen. How rare is that with prog!??? Excellent songwriting and musicianship. Can’t wait to dive into the rest of the collection. Thomas Lock
supported by 76 fans who also own “The White Witch: iii) The Plague”
The third Sanctuary album is also the best of the trilogy. This one dares even more to expand the Oldfieldian style in new and exciting directions. It may be sacrilege to suggest it, but if this *were* a genuine Oldfield album, many might say it was one of his best, too. It's true that Rob Reed is standing on the shoulders of a giant, but he is a giant talent in his own right.
Often the music brings tears to the eyes, as if it were the soundtrack to the climax of a hard-won cinematic story. nickgreen90125
supported by 75 fans who also own “The White Witch: iii) The Plague”
The album takes off nicely with David Longdon's "The Strangest Times", but then gets into immediate free fall and deeply underwater for the next few tracks, quite unexpectedly. Fortunately, it recovers with Nick D'Virgilio's "Apollo" (hey, this guy CAN write good music, although he hides this ability most of the time) and the remaining three tracks, one of which is another Longdon masterpiece. So in the end the final impression is somewhat in the positive range. Sven B. Schreiber (sbs)